Red Sea Photo-Workshop Epicness

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PSA: Be sure to follow the new European Rolex Scholar Facebook page for more regular updates on my adventures and those of future EU scholars. 😀

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WARNING: This post will contain a silly number of photos, many of which may inspire feelings of intense envy. Please don’t hate me.

“Guys….GUYS…quick, get back in, get back in…GET BACK IN THE WATER!” I shouted frantically, trying not to guzzle a mouthful of seawater as I bobbed up and down at the back of the boat. My new diving buddies, still peeling off their dripping wetsuits, turned back to look at me with confusion and concern. “Danny…you okay? What’s the matter?” With my snorkel already in my mouth, I managed to blurt out one final word before shooting below the waves. “DOLPHINS!”

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They rocked up at the end of the last dive of the day, and hung around for 15 minutes. We had all just been diving to take fish portraits, so most of us didn’t have our fish eye/wide-angle lenses! I didn’t want to risk jumping out to swap lenses and have them not be there once I got back. No chance was I bailing on this! This photo was one of the best I captured with my 12-50mm Olympus lens.

Recently I’ve been taking a short hiatus from my European diving adventures to spend five weeks in Egypt – the land of sand, sun, and silly amounts of shisha. To divers, Egypt is better known as a popular portal to the stunning reefs of the Red Sea. Yet these famously clear and colourful waters have somehow escaped me throughout six years of diving around the world. Well, I thought it was about time I addressed that!

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Photo by Robert Smits. The Whirlwind, in all her majesty!

Thanks to the awesome team at Scuba Travel, I was invited to jump on board the MY Whirlwind for two weeks of underwater photography workshops in the north of the Red Sea, ran by world-famous underwater photographer, Dr. Alex Mustard. I have known about Alex and have been following his incredible work for several years. Furthermore, I’d heard about his legendary workshops and how much they’ve helped other underwater photographers advance their skills in big ways. Needless to say, I was beyond keen to spend a fortnight learning from one of the masters of underwater imaging. I was also keen to spend some serious time playing with my new Panasonic GH4, Nauticam housing and INON S2000 strobes, provided by the generous gang at Nauticam USA and Reef Photo & Video. 

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Photo by Robert Smits. Grand-Master Mustard, showing off his camera’s perfect neutral-ness.

Both weeks kicked off with a few days diving and photographing the local wrecks, with a particular focus on the SS Thistlegorm. Being a fish-focused diver, I must admit that I had my initial concerns about spending so much time diving this one wreck. Surely there’s only so many ways to photograph metal? Oh-ho-ho, I couldn’t have been more wrong. The Thistlegorm is a truly special wreck. When it sank, it took with it a monstrous cargo of cars, trucks and bikes, many of which remain in incredible condition despite spending over 70 years sitting on the sea floor. The end result is an underwater playground for photographers that never ends! However, the real value in diving this wreck comes in the form of the challenges it forces upon you as a photographer. Many of the vehicles are nestled away in the wreck’s dark, deep and claustrophobic hulls, which forced us to really think about and plan how we were going to capture certain images on our dives – an exercise I’d never really experienced before.

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Mini Photo-Story: The Battle for Ele’s Bike!

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Dive buddy Terry and I concentrated on “Ele’s Bike” for the entirety of at least one dive a day, over the three consecutive days that we dived on the Thistlegorm. We started off taking some photos like the one above. We were reasonably pleased with them, but felt like we could do better…… 
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We took them back on board to show everyone and get some opinions, before picking everyone’s brains as to how to take the sort of photos we were after. Taking photos inside wrecks is extremely technical, with little differences in strobe angle and manual settings making the difference between a god-awful photo, and one that stuns. Thankfully with 18 other photographers and a Master in our midst, we got the info we needed.
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With our new-found knowledge, Terry and I wasted no time on our dives trying to set up our envisioned shots. Terry really wanted a photo of me with a torch looking over the front tire. In our first attempt, my black wetsuit meant that my body disappeared into the background, essentially leaving a floating face. Not good. Our solution? We needed a burst of extra light to separate my body from the rest of the wreck’s dark interior. Here we see Terry setting up a remote strobe which would fire behind my back once we swapped places and got into position.
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Photo by Terry Dunbar. And here’s Terry’s final photo! So much more awesome than our initial attempts and well worth the hard graft to ‘work’ the shot to be the best it could be.
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And this was my end result! Rather than have Terry in the same place I was in his photo, I wanted him to naturally stand out in the blue space in the right hand side of the photo. At this point, Terry was actually still getting himself into position via my hand signals, when I saw the school of silvery-blade fish rapidly entering my frame. No time to waste! These little buggers would only ever come in once or twice on an entire dive, if that, and stay near the bike for all of three seconds. I had to make do with where Terry was to snap a photo whilst the school was in frame. I’m pretty damn chuffed with the result! Mission accomplished.

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I did actually take photos of other stuff on the Thistlegorm other than Ele’s bike! In week two, I spent an entire dive with dive buddy John Batchelor trying to take this photo of ‘Julian’s Truck’ right in the deepest, darkest depths of the wreck. Without a remote strobe at hand, we made use of Jon’s surprisingly beasty dive torch to create a similar-ish effect.
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ALSO I did actually take photos outside of the wreck too! But this isn’t of the Thistlegorm. In week 2, we visited more wrecks in the area. Can’t really remember which one this was. “Janis D” I think?

The second half of both weeks revolved around the reefs of Ras Mohammed – particularly Shark & Yolanda Reefs, labelled by Jacques Cousteau (and Alex!) as one of the best dive sites in the world. Having dived it over a dozen times in the past few weeks, I can easily see why. No two dives on this site are ever the same! One dive may consist of photographing an enormous and cooperative school of breeding Bohar Snapper whilst fighting an onslaught of current, whilst a dive the following day may involve leisurely swimming between the two pinnacles to take macro photographs of breeding boxfish. An unbelievable dive site unlike any other I’ve ever visited.

 

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Photo by Robert Smits. The photo-lemmings preparing for launch, led by their courageous Mustard-Master. Who’s that rude-faced individual in the bottom left? Does he think he’s cool? Someone should tell him he’s not…
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Photo by Robert Smits. Judges gave me a solid 8. I knew I should have tucked my knees in more…
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Photo by Alex Mustard. Working the school of Bohar Snapper, who were fantastically cooperative if you treated them nicely. Here I was actually filming with my Light & Motion SOLA 2000s, rather than taking photos.
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One of my favourite photos from the snapper school. Sooooo many fish.
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If we grew tired of photographing the fish schools, we’d descend onto Shark and Yolanda Reef itself. Here I found a popular coral bommie that sits in front of Yolanda reef (the massive mountain in the background), and managed to snap a photo when a passing blue-fin trevally scared the anthias back into the safety of the coral.
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Massively Napolean Wrasse swooping in during a morning dive on the edge of Yolanda reef. I quickly fell in love with these giant fish. Big-boss dogs of the reef that don’t care about anyone’s feelings or opinions. Don’t mess!
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A turtlely awesome hawksbill turtle swooped past in ‘The Saddle’ between Shark and Yolanda. I asked if I could take a few photos for Facebook. He was happy to oblige. Top-lad.
Photo by Kathy White. Heading up for a safety stop, only to become best of friends with a juvenile batfish. Seriously, he wouldn't leave me alone, not that I was complaining. It was possibly the most adorable underwater experience I've had to date.
Photo by Kathy White. Heading up for a safety stop, only to become best of friends with a juvenile batfish. Seriously, he wouldn’t leave me alone, not that I was complaining. It was possibly the most adorable underwater experience I’ve had to date.
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Photo by Josef Litt. The photo-lemmings returning home after a hard day diving one of the best dive sites in the world…
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After diving at Shark & Yolanda, one evening was spent over at a very shallow, local reef where we jumped in to take ‘Sunset Splits.’ Whilst sadly not a kind of cocktail, they did prove to be equally as epic photos to take. Split shots are some of my favourite types of UW photos, and this photo is one of my favourites from the whole trip.
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Photo by Rob Smits. Post-sunset-split-session. Not quite Daniel Craig, but at least my Fourth Element Proteus wetsuit and stunning Apeks Black Sapphire regs helped me look as Bond as I can be. 😉

 

I’d like to thank Alex, Scuba Travel and the Tornado Fleet for an unbelievable two weeks. Photography is an extremely effective way of reconnecting people with our oceans. Great images can convey important information and stories about ocean conservation in a way that stats and scientific papers never could, whilst the most memorable images have the power to shift mindsets, fuel change and inspire the masses. Developing my ability to capture the awesomeness of our oceans is a major objective for my scholarship year and for my future goals. Aside from experiencing some incredible diving (and yes, a once-in-a-lifetime encounter swimming with bottlenose dolphins), the last two weeks have been invaluable. I learnt an enormous amount on this trip, and I believe my technical abilities as an underwater photographer have improved in a way I would never have thought possible. I cannot wait to use my new-found skills to better share my future adventures around the world!

 

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The most beautiful photo from the entire trip. So much expensiveness in a few square metres. Stunning.
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Group photo from week 1! 😀
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Group photo from week 2!

 

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